Thresholds in learning pronunciation

Clip art:
Clker

Previous posts have considered thresholds in several disciplines, including recent looks at learning to juggle and the use of hypnotic suggestion in facilitating pronunciation change. In Lessac's work there is a similar point in the 12-step process where the student has arrived at a level where a quantum leap has been achieved (the ability to perform "the call") and the voice has a new quality about it that does not follow directly from the work that has proceded. The same experience is frequent in development of skill with musical instruments and complex athletic skills.

Here is study of, of all things, "critical evaluation of information resources" by upper division undergraduates. Those who were seen as having crossed the threshold into their chosen professions, in some recognizable sense, were able to " . . . establish the authority, quality and credibility of [discipline-specific] information sources--a remarkable, if somewhat mystical experience.

Pronunciation change often happens as abruptly, with analogous parameters. The "authority" of a sound or word is best thought of as its place in the system or in those words where it occurs; the "quality" of the sound, its resonant and articulatory features; the "credibility," both the felt sense (haptic anchoring) and the confidence attributed to the changed sound or word. To the learner, a new pronunciation should, for the most part, just "show up," be a pleasant surprise, not be consciously integrated into spontaneous speech most of the time. For the instructor, the designer, the process and protocols must be transparent and managed. We haven't crossed that threshold yet, but we are closer.